Voices from Russia

Saturday, 15 December 2012

Vishenvskaya… A Name that’ll Always be Remembered

rostropovich_vishnevskaya

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Final Scene of Yevgeni Onegin, with Georg Ots

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This is Tchaikovsky‘s romans Колыбельная (Kolybelnaya: Cradle Song)

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Casta Diva from Bellini‘s Norma

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 On Friday, the celebrated Russian opera singer Galina Vishnevskaya, who died on 11 December at the age of 86, was buried in Moscow. The burial ceremony began at 13.00 MSK at Novodevichy Cemetery. Vishnevskaya’s grave is near that of her husband, the great cellist Mstislav Rostropovich. By Orthodox tradition, before the funeral, the farewell ceremony was in the Cathedral of Christ the Saviour. Before she died, the singer wanted to donate to the cathedral a treasured icon of St Nicholas the Wonderworker, but she didn’t do it. On the day of the farewell ceremony, her daughters Olga and Yelena did it for her.

Well-known opera singer Lyubov Kazkarnovskaya said, “The legendary couple of Vishnevskaya and Rostropovich will be remembered for generations as a symbol of devotion to Art. A fabulous generation, which knew how to serve Music and Theatre, and which knew the price of every single note, is leaving. She lived at the limit of love for her art”. Rostropovich and Vishnevskaya set the bar high, not only in their art, but also in their social life. In the 1970s, without hesitation, although they understood that they’d pay a price for it, they supported writer Aleksandr Solzhenitsyn, when the authorities were harassing him. Solzhenitsyn’s widow Natalya said, “I highly value the close friendship between our families and I’ll always be grateful to Mstislav Rostropovich and Galina Vishnevskaya, as they helped Aleksandr in the most difficult period of his life”.

In their irksome exile, Vishneskaya wrote a book entitled Galina. She said, “I found salvation in it. I needed to tell people what happened to us and why”. The singer turned out to be an excellent storyteller. In later life, she also became known as a brilliant dramatic actress; she played the main role in the film Aleksandra by Aleksandr Sokurov. She played a common middle-aged Russian woman, who came to visit her grandson, who was an officer who serving in Chechnya. The film’s producer, Andrei Sigle, recalled, “She didn’t hesitate to go on location shooting, even though it was still a rather dangerous time there. It was also very hot, 56 degrees (133 degrees Fahrenheit), and it was very windy. However, she was very strong and set an example for us”.

The renowned composer Rodion Shchedrin came to Moscow to celebrate his birthday, but unfortunately faced this great loss, saying, “To me, Galina Pavlovna’s passing is a personal loss as we were very close friends throughout our lives. It’s a very bitter loss. Like the poet Voznesensky said, ‘We’re leaving, and this edict is everlasting’”. The Centre of Opera Signing, established by Vishnevskaya in Moscow ten years ago, has already brought up many talented singers. One of them was Badri Maisuradze, soloist of the Bolshoi Theatre, who said, “The generations of singers who were guided by her and Mstislav Rostropovich will never forget them. They’ll always be remembered”.

14 December 2012

Voice of Russia World Service

 http://english.ruvr.ru/2012_12_14/98036486/

Sunday, 1 January 2012

1 January 2012. A Multimedia Presentation. The People Who REALLY Make the “Best of the Bolshoi”…


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The Bolshoi Ballet in the Adagio from Tchaikovsky’s Swan Lake at the Gala Reopening of the Bolshoi in October 2011

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The Bolshoi Opera in a Soviet-era film Kompozitor Glinka (The Composer Glinka, 1952) (fragment of Glinka’s A Life for the Tsar)

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The Bolshoi Ballet in the Waltz from Prokofiev‘s Cinderella at the Gala Reopening of the Bolshoi in October 2011

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The Coronation Scene from Mussorgsky‘s Boris Gudunov, performed by the Bolshoi Opera under the baton of Nikolai Golovanov, with the role of Boris sung by the legendary basso Aleksandr Pirogov (a performance from 1947)

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Yekaterina Maksimova dancing Gounod’s Walpurgis Night with the Bolshoi Ballet in 1974

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The artists and artisans of the Bolshoi have an unbroken and untrammelled history… from Imperial Russia to the Soviet Union to the present transitional state… and they’ll continue under whatever replaces that. Without the hard, devoted, diligent, and skilled work of he Bolshoi’s dedicated staff, the magic and beauty of the Bolshoi Ballet and Opera wouldn’t exist. They epitomise the Dignity of Labour… nothing more need be said…

BMD

Thursday, 15 December 2011

15 December 2011. Videos. Some of My Favourite Things… Ots, Kristalinskaya, Lemeshyov, and Piekha… the USSR Wasn’t ALL Heroic Tractor Drivers…

Georg Ots (1920-75), People’s Artist of the USSR. Estonian operatic baritone… his voice could be heard on radio and TV all over the Soviet Union, and all his records sold out almost immediately.

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Georg Ots sings Moscow Nights

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Maya Kristalinskaya (1932-85), Honoured Artist of the RSFSR. Her signature piece was Tenderness, of which she was the first performer.

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Maya Kristalinskaya sings Tenderness

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Sergei Lemeshyov (1902-77), People’s Artist of the USSR. Russian operatic lyric tenor, his signature role was Lensky in Yevgeni Onegin. Six marriages and numerous affairs focused the attention of Lemeshyov’s fans on his personal life. Ultimately, he found his life partner in singer Vera Kudryavtseva. Their marriage lasted for over 20 years, until Lemeshyov’s death in 1977.

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Sergei Lemeshyov sings A Love Song

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Edita Piekha (1937- ), People’s Artist of the USSR. She’s a well-known public activist for humanitarian causes, and supports orphanages in Russia.

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Edita Piekha sings And Life Goes On

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One thing that you can’t say about the old Sov performers is that they put out indecent material. On that, the Party and the Church see eye-to-eye…

BMD

Tuesday, 12 April 2011

Video. It’s the 50th Anniversary of “Rodina Slyshit”… “The Motherland Hears”

Filed under: art music,cultural,music,opera,Russian,Soviet period — 01varvara @ 00.00

It’s the 50th anniversary of the Soviet song Rodina Slyshit (The Motherland Hears)… Dmitri Shostakovich composed it in honour of the space flight of Yuri Gagarin. This version is interesting… at first, it’s an old home recording of Dmitri Khvorostovsky as a boy singing this song accompanied by his father on the piano. Then, it segues into him as an adult singing the song with full orchestral backing.

Say a prayer for the departed Servant of God Yuri… NEVER forget our heroes! Вечная ему память…

BMD

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