Voices from Russia

Wednesday, 15 May 2013

Russian Craftsmen to Recreate Parts of Lost Amber Room

00 Amber Room. Russia. 15.05.13

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Russian craftsmen in Kaliningrad shall recreate parts of the legendary Amber Room, a Tsarist-era antiquity looted by Nazi Germany during World War II. The restoration plan by the Kaliningrad Oblast government is part of a campaign to stop illegal mining in amber-rich areas near the Baltic coast. The region has the world’s largest-known amber deposits. Experts estimate that criminals mine 60-100 tons of amber illegally every year in Kaliningrad Oblast, which holds more than 90 percent of the world’s total known amber reserves and is home to the world’s only natural amber strip-mine.

King Friedrich I invited German craftsmen to decorate the main hall of his palace with amber panels shortly after his accession to the Prussian throne in 1701. However, after the king’s death in 1713, his son Friedrich Wilhelm I put an end to the expensive work, and put the amber panels on the walls of a small room of the Stadtschloss (City Palace) in Berlin. Three years later, he gave the panels as a present to Tsar Pyotr Veliki, who stored them in his Summer Palace, at Petergof. It was only in 1743 that Tsaritsa Yelizaveta Petrovna decided to use the amber panels to decorate one of her main chambers in the Winter Palace. Craftsmen expanded on the original decorations, eventually turning them into the legendary Amber Room, often referred to as the “eighth wonder of the world”.

The Wehrmacht looted the decorations during World War II, and took them to Königsberg (now Kaliningrad), where they were lost in the fierce fighting and air raids at the end of the war in 1945. Eventually, the Russians only rediscovered two small parts of the room’s decoration and returned them to Russia. According to the Kaliningrad Oblast Culture Minister Svetlana Kondratyeva, the Amber Room replica will be in the 1899 building of the Königsberg State Amber Factory, which, following its renovation, will then house the Kaliningrad Amber Museum. Museum visitors will be able to watch the craftsmen at work replicating the room through glass panels.

14 May 2013

RIA-Novosti

http://en.rian.ru/art_living/20130514/181145479/Russian-Craftsmen-to-Recreate-Parts-of-Lost-Amber-Room.html

Sunday, 21 April 2013

“A Pastoral Word” (9 March 2013). On The Romanov Dynasty

01 New Royal Martyrs of Russia

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Editor’s Foreword:

There was a very stilted, jangly, and over-literal translation of this piece on the official ROCOR website. It was poor enough for me to go back to the Russian original and make a clear translation from the Russian original. The ROCOR translation STANK and it had fraudulent and unwarranted links to Maria Vladimirovna’s mendacious little website that weren’t in the patriarchia.ru original. In short, HH isn’t cheerleading for Maria Vladimirovna or her Western lickspittle son (he was an employee of the EU, after all). I’ll have more to say later, for now, here’s what HH really said.

BMD

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“Your Holiness, please, tell me, in the light of the 400th anniversary of the Romanov dynasty, how does the Orthodox Church assess its rule? Is it worth my while to celebrate this event, and are the claims of some members of the Romanov family to the Russian throne legitimate?”

A letter by Vladimir Petrovich Surov, Saratov

Vladimir Petrovich, firstly, I’d like to say that the Church has a view of history that you can understand only from the perspective of its mission. Often, the media and the public demand an immediate comment from the Church on political events. If the Church, especially, in the person of the Patriarch, doesn’t comment immediately, it causes upset; they pose additional questions, they issue allegations, and, sometimes, they accuse us of holding a position opposite to our real one.

Fundamentally, in addressing the public, the Church draws attention to and remarks on everything that has to do with salvation. Historical events might be relevant to mankind’s salvation… that is, their effects might have an influence on such, but the fact remains that most events have nothing to do with the Gospel. That’s why the Church shouldn’t issue immediate comment on political events. The Church isn’t an organ of political commentary; we don’t have the job of immediately assessing -everything that happens in our country, in society, in the world. Conversely, nevertheless, the Church can assess historical events with a soteriological understanding, that is, from the point of view of how it affects mankind’s salvation. I’d like to comment on your question from that point of view.

You can’t separate the rule of the Romanovs from that of the preceding Rurikid dynasty. You can’t talk about the Romanovs without mentioning Grand Prince St Vladimir, St Aleksandr Nevsky, St Dmitri Donskoi, Ivan III Vasilyevich the Great (The Gatherer of all Rus), and Ivan IV Vasilyevich Grozny… all of whom played a major role in the development of our state. The Romanov dynasty simply continued the path of service to the motherland and people taken by the previous rulers. If you take a close look at the history of the Russian monarchy, certainly, one can say that their rule benefitted the country and the people. Every age has its own particular emphasis, its own understanding, on what is good. The Middle Ages had one understanding of this; modern times accentuate other things. Therefore, formally, superficially, the rule of Pyotr Veliki was different, of course, from the rule of Ivan Grozny, but from the point of view of public benefit, their rule, of course, very much resembled each other. Indeed, the state didn’t decrease in area under any tsar… every tsar increased it. Evidently, some gains were only temporary; for example, such as when our troops occupied Königsberg in East Prussia  in the time of Tsaritsa Yelizaveta Petrovna, then, Peter III ordered them to leave the occupied territory. However, such minutiae are irrelevant to the matter at hand. Of course, in augmenting the Russian state, the patriotic service of the Romanov dynasty is undeniable.

However, I’d like to say something else. When we evaluate the activities of a sovereign, of any public figure of such magnitude, in fact, we primarily assess it from the point of view of results, of what it did for our country, for the people, for the development of society, but we forget about their personal attributes… they’re left in the background. One must say that no Romanov was a saint, except for the last one, who was glorified amongst the saints not as a statesman, not as a military leader, not as a political leader, but as a Passionbearer (страстотерпец). Consequently, when we speak of the Romanov dynasty, we shouldn’t forget the general cultural background in which they evolved. In this general cultural background, not all was well. We all know what pernicious influences affected the lives of our people in the 18th century… doubtlessly, with the connivance of the sovereigns, who were themselves keen on the spirit of the time. There were problems in the 19th century, as well. Therefore, although the Church rendered the state authority all due respect, as the Gospel commands, however, one can’t help but notice that there was a certain distance between the spiritual life of the people and the spiritual life of our aristocracy.

Talking about all of this, once again, I want to say that the rule of the tsars of the Romanov dynasty led to undoubted, enormous, and positive achievements. In this sense, firstly, I think that that we contemporary Russians have to feel gratitude for those who led our motherland for over 300 years, to appreciate what they did. However, for all that, our appreciation shouldn’t be jingoistic (лубочной), cartoonish, and artificial. Indeed, we must understand that the intelligentsia, the educated classes, made some serious mistakes in shaping their fundamental ideology, which undoubtedly affected the lives of the people. Therefore, the Church, from its point of view, from its assessment of history, has both a positive and a critical assessment of the rulers of the Romanov dynasty. In conclusion, I’d like to say that everything is relative. if we compare the acts of the tsars with the activities with the activities of those who destroyed Great Russia, who ripped it to pieces, who caused enormous damage to the national interest in the 20th century, then, of course, the weltanshauung of the Romanov dynasty appears to be a high and a remarkable example of caring for the state and the people.

Let’s move on to the second part of your question… you asked whether there’s a legitimate claim on the part of this-or-that Romanov family member to the Russian throne. From the outset, I’d like to point up no such claims exist. Today, none of the descendants of the Romanovs claims the Russian throne. However, Grand Princess Maria Vladimirovna and her son Georgi maintain the continuity of the Romanov line… not in terms of the Russian imperial throne, but simply as historic fact. I thank this family, and many other Romanovs, for their present contribution to the life of our motherland. Maria Vladimirovna supports many good causes, she visits Russia, she meets with people, and she elevates commoners to noble rank for their achievements. I remember how she elevated an old peasant woman from Smolensk to the nobility, to recognise the efforts that she’d make during the war and during the post-war years. Therefore, the cultural contributions of the Romanovs remain in our society to this very day.

Now, let’s address that part of the question that concerns a celebration… do we need to celebrate this? Yes, of course, it’s necessary to do this. It’s a great date in history. Regardless of people’s attitudes to the monarchy, or to the possibility of its restoration at present, the 400th anniversary gives us an opportunity to evaluate history. As I said, we must remember with gratitude the works of those who led the Russian state, who enabled our great achievements in the development of our country. They created our vast public infrastructure, including great works in transportation, and fostered the development of science, art, and industry. After all, suffice it to say that, on the eve of the First World War, Russia had almost become the second-highest GDP in the world, and had the Great War not intervened, then, surely, it would’ve reached second place. All this suggests that the tsars made a very important contribution to the development of our country, so, of course, to celebrate that is natural.

The celebration won’t be an official state holiday, but it’s still an important historical date, so, the Church will mark it with a Divine Liturgy at the Assumption Cathedral in the Moscow Kremlin to remember all of the Romanovs, from Mikhail Fyodorovich, Aleksei Mikhailovich, Pyotr Veliki, all the way up to the Holy Passionbearer Nikolai Aleksandrovich. We prayerfully remember these people, with thanks to God for their work, and with the prayer that the Lord give rest to their souls in the abode of the righteous. It’s pleasing to relate that the media, including television, is responding to this date. Today, you can see many interesting historical films, materials, and discussions on the subject. Even though it isn’t an official state holiday, the celebration is quite widespread throughout our society. Once again, I reiterate that the Church will make its own observation in its own way on this historical occasion, so, firstly, we’ll offer prayers to the Lord for the repose of the souls of the Romanovs to celebrate the 400th anniversary of the Romanov dynasty.

01 Patriarch Kirill Gundyaev9 March 2013

Kirill Gundyaev

Patriarch of Moscow and all the Russias

A Pastoral Word

Patiarchia.ru

Official MP Website

http://www.patriarchia.ru/db/text/2836965.html

Editor’s Note:

Everyone knows how, in particular, Jordanville sucked up to the claims of Kirill Vladimirovich, Ducky, and their children. Hence, when this piece came out, it translated it in a hurry, without thought (or even careful reading of the text). HH didn’t endorse Maria Vladimirovna. HH didn’t endorse the dubious additions that the ROCOR official site webmaster made to the piece. Before running this, I had some long discussions with Russian contacts on the implied claims made by the ROCOR post. One Russian contact said:

You Americans have a saying, “As dumb as a box of rocks”. Well… Maria Vladimirovna is dumber than that. His Holiness was searching for something nice to say about her because she’s been savaged by her Romanov relatives, who don’t consider her the pretender because of the Salic Law. Some don’t even consider her or her son to be “real royals”. Her son is even stupider than she is… he was supposed to study in a Russian military academy, but he was so dumb that the faculty revolted and refused to admit him.

In short, Maria Vladimirovna isn’t going anywhere fast. HH refused to acknowledge her status as pretender to the throne. He wasn’t nasty about it, but he refused to acknowledge it, all the same. She and her son exist on Western sufferance… without that (especially, King Juan Carlos’ material aid), they’d be toast. Don’t forget… they live in France and Spain… NOT in Russia (although they do visit, and sometimes, Georgi acts as a gofer flunky to this-or-that oligarch). One can’t be angry with the monarchists in the ROCOR; most of them are simply people living in “Cloud Cuckoo Land”, as the Germans put it. This predilection allows charlatans such as Victor Potapov to push forward their crank agendas in the form of “monarchism” and “restorationism”. To say the least, the Romanov pretenders “have learned nothing, and forgotten nothing”. Yet, they’re more pathetic rather than dangerous… avoid them… they’re toothless curiosities.

In all the discussions that I’ve had with Russian contacts, all are clear that HH isn’t backing Maria Vladimirovna and all reiterate that he hasn’t gone back on any of his “left” social statements. Consider the source of the ROCOR post… and do notice that they did a “shoemaker” job of translation (piss-poor in the extreme). Sad, ain’t it? Don’t kick such sorts, it ain’t nice to mock the feeble-minded…

BMD

Saturday, 6 April 2013

6 April 2013. RIA-Novosti Infographics. Pyotr Veliki’s Change of the Russian Dress Code

00 RIA-Novosti Infographics. Pyotr Veliki’s Change of the Russian Dress Code. 2013

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3 April 2013

RIA-Novosti

http://en.ria.ru/infographics/20130403/180419767/Changing-Russias-Dress-Code.html

Wednesday, 6 March 2013

The Point of Impact

00 'Byzantine' Fashion. Blasphemy. 06.03.13

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Some time ago, the public saw the new collection from famous fashion designers Dolce and Gabbana. They based it on Byzantine (New Roman) church art, including faces of the Virgin and the saints from icons, and holy Christian symbols serving as accessories and jewellery. We saw large crosses like those worn by bishops and other ecclesiastical regalia located below the belt of models, images of saints were painted on heels or on the genital area of clothing.

The reaction of the fashion world was quite subdued… critics accused the designers of lacking novelty and of using an overly-literal depiction of religious images. In fact, for a long time, the world of pop culture and show business has been accustomed to the frequent use of the sacred Christian symbols… jewellery in the form of a cross and pop divas prancing about in nun’s habits are quite commonplace. In addition, frankly satanic symbols are common in mass pop culture; it’s become a huge industry. Inverted crosses, pentagrams, and all the trappings of Satanism are an integral part of the subculture, including a subgroup of aesthetes associated with a cult of drugs and getting high, found in a wide range of rock music… from the psychedelic to the so-called “metal”.

Because Dolce and Gabbana toyed with Christian symbols in their fashion designs presented to the public, one could call it an exercise in sophisticated anti-Christian mass culture… was it just ordinary bourgeois boredom… was it even a kind of perverted “return to tradition?” However, this event is much more significant than just another attempt to put sacred Christian symbols into the mass industry of show business, for modern people have forgotten their true meaning. It shows the actual state of Western civilisation, which is post-Christian, or, rather, anti-Christian, and its idiosyncratic nature. We could describe this condition as “the point of impact”. In artillery jargon, this term refers to the point where a projectile hits the ground. In the current socio-cultural situation, we can talk about the final convergence of two vectors… mass culture and avant garde élite culture. These vectors mutually influence each other; they act as mutual catalysts, heightening their mutual velocities, leading modern civilisation into the abyss of rebellion.

The so-called modern élite culture includes contemporary art, rock music, and experimental cinema; it was and is a laboratory of mass culture, a factory for the development of meanings and images used by the fashion, entertainment, and advertising industries. This esoteric laboratory tests the readiness of the public conscience to accept new meanings and images. This testing takes place in the form of the removal of all conceivable constraints of traditional consciousness by levelling and destroying all its forms, especially religious ones.

The successive erasure of cultural memory, of the civilisational memory of God, accompanied by the destruction of religious codes has cultivated decomposition as an art form; it’s the source of the piles of money earned by the producers of mass culture. Fact is, this product, like any other, has its marketing and sales laws. That is, the person consuming it would then need to experience this again and again, thus, ensuring the reproduction. However, one doesn’t approach grounded and knowledgeable individuals (уцеломудренный), rather, one appeals to ciphers with a broken and disjointed will, because popular culture is addressed not to grounded and knowledgeable individuals with individual will, instead, it appeals to those who’ve subsumed their individuality in subordination to the zeitgeist.

Thus, popular culture has two successive and interrelated objectives… to dismember the human person, to excite their easily-aroused psychophysical instincts (e.g., sexual or of destructive urges), to spur them to act on them impulsively. Algorithms for working this equation were developed in the laboratory of avant garde culture and contemporary art. This contains a deeper meaning, a kind of anti-sacrament in contemporary art. If the Christian sacrament intends to bring reconciliation to a human soul soiled by sin, then, this anti-sacrament aims to bring about a complete destruction of the soul, taking something meant to be solid, smashing it, and scattering it to the winds.

To trace the basic trajectory of modern culture briefly, to recognise this laboratory in which, in particular, the anti-Christian strategy of mass culture germinates, it’s necessary to mention some figures that blazed its paths. They came from the radical wing of contemporary art, they founded the “trend”, which is moving (and which will move in the foreseeable future) modern civilisation. Of these radicals, in the first place, one could mention a member of the so-called “Vienna Actionism“, Georg Nietzsche, who exhibited his “work” in Moscow a few years ago. Mobile and fixed exhibitions from his Theatre of Orgies and Mysteries were supposedly illustrations of the Gospel events and use Christian symbols, including a crucifix submerged in a terrible and bloody bacchanal of naked body parts portraying an unbridled orgy. He used both artificial and real blood; he butchered animals and birds. This eerie pagan mystery went far beyond good and evil, being a demonstration of extreme satanic possession, in which the human form is completely lost.

In addition, one can’t fail to notice the activities of other known “artist” Oliviero Toscani, who works mostly in the genre of postmodern photography, often used in advertising. His photographs are widely used as advertising images; a clothing company used images that depicted Catholic priests kissing nuns. The advertisement was posted in Rome near the Vatican City walls, which resulted in a major scandal, which led, in turn, to a sharp increase in sales. This situation, by the way, in many ways illustrates the relationship of contemporary art and pop culture; it only stipulates that anti-Christian themes successfully work on the flywheel of mass production industry.

Most often, the objects of attack by “contemporary art” are the most holy and sacred symbols of Christianity, including the crucifixion. Blasphemous images of the Lord on the cross are a favourite “satire” of postmodernists, such as the image of a drunken crucified frog, with a beer in one paw and an egg in the other (Martin Kippenberg), or a series of photos of crucifixes immersed in glass cups filled with urine (Andres Serrano). It’s impossible not to mention the recent events that took place in Moscow and some other Russian cities. This was a series of exhibitions with a controversial anti-Christian theme and protest actions in some churches {that is, Pussy Riot was profoundly WESTERN; it had NO Russian roots whatsoever: editor}. It only exists on the periphery of our civilisational vector; however, post-Soviet contemporary culture repeats the verities of the West in the 60′s.

Thus, the glamorous, but no less blasphemous, collection of Dolce and Gabbana is an extension of and a watershed in the general anti-Christian vector of apostasy in the development of modern civilisation. Pop culture, which includes the world of fashion, draws techniques, meanings, and images from the laboratory of avant garde culture; it reproduces them, turning them into a well-packaged consumer product. Reproduced with stunning accuracy, one sees that the images of Christian art no longer inhabit a sacred space; one doesn’t even recognise them as relics of a bygone European culture. Now, they’re nothing more than scattered fragments, shards that lost their lost meaning, ghosts whispering of the existence of a dead European Christian civilisation. This posthumous existence of culture, revealed to us by two fluky sodomites, should finally lead us to an understanding of our place in the world and of our Christian cultural mission. In the final analysis, the death of Christian culture is our common problem; one can only say with bitterness the words of King David… The fool hath said in his heart, There is no God (Psalm 13.1).

NB:

Click on the URL below, the original Russian post has more images of this “creative” designer’s work…

BMD

6 March 2013

Andrei Yakhnin

Pravoslavie.ru

http://www.pravoslavie.ru/jurnal/59947.htm

Editor’s Note:

I’ll simply say this… the Left is more profoundly conservative in a real sense than any of the Righties are. The Right trumpets individualism and anarchic shrugging off of all limits (that’s what laissez-faire economics is all about). The Left says, “We’re in this together; we have to share what’s there”. There are more believers amongst communists in Russia than there are amongst pro-Western crapitalists. Reflect on that. Gennady Zyuganov was right… Christ WAS the first communist, and if we wish to have a godly and moral society, it basis MUST be rooted in socialism, not godless grasping crapitalism. ‘Nuff said…

BMD

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