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The second part of the show introduced viewers to Russian history and culture. This tableau is from the time of Tsar Pyotr Veliki.
Prime Minister Dmitri Medvedev watched the ceremony in the company of figure skating coach Tatiana Tarasova.
The ceremony needed 3,000 performers and 2,000 volunteers, who used 6,000 costumes. The total number of people involved in the ceremony was more than 9,200.
The historical presentation continued; the romantic sublimity of the 19th century segued into the uncompromising 20th century… red tones heralded the revolutionary era and symbolised the epoch of constructivism. The model of a giant locomotive appeared under the dome of the stadium to the music of Sviridov‘s theme for Время, вперёд! (Time, Forward!).
A scene portrayed the USSR‘s reconstruction after the VOV, with workers, slogans, and appeals of the Stalinist skyscaper era, accompanied by the Muslim Magomaev song Москва (Moscow).
Young couples with prams and toddlers symbolised the Soviet baby boom, which occurred during 1981-83, that is, immediately after the 1980 Olympics.
Famous ballerina Diana Vishnyova danced to the music of the ballet Swan Lake.
World-renowned opera singer Anna Netrebko sang the Olympic hymn.
Dancers during the pageant at the opening ceremony of 22nd Winter Olympic Games in Sochi.
Famous tennis star Mariya Sharapova brought the Olympic flame into the stadium.
Vladislav Tretiak and Irina Rodnina jointly lit the Olympic flame with a torch that had been in the International Space Station.
Fireworks from 3,500 volleys capped the opening ceremony.
8 February 2014
RIA-Novosti
http://ria.ru/sochi2014_news/20140208/993754184_993749410.html
Entertainment media reported that maestro Valery Gergiev would celebrate his 60th birthday at Carnegie Hall in New York this October with three concerts featuring music of Stravinsky, Shostakovich, and Rachmaninoff. Broadway World.com reported on Monday that Gergiev, who’s also marking his 25th year with the legendary Mariinsky Orchestra, will conduct an all-Stravinsky program on 10 October, featuring the composer’s famous ballet music from L’oiseau de feu (The Firebird), Pétrouchka, and Le Sacre du printemps (The Rite of Spring). On 11 October, Gergiev will conduct a performance of a Shostakovich concerto and the composer’s Symphony No. 8 in C minor, opus 65, followed by the Rachmaninoff Symphonic Dances, opus 45 and a piano concerto on 15 October. The Mariinsky is one of the oldest orchestras in Russia, having premièred works by Tchaikovsky, Prokofiev, and Shostakovich, just to name a few. Gergiev first conducted the orchestra in 1978; since becoming Artistic and General Director in 1996, he’s toured with the ensemble to more than 45 countries. winning acclaim for widely expanding its repertoire.
27 August 2013
RIA-Novosti
http://en.ria.ru/russia/20130827/182998034/Gergiev-Fetes-60th-Birthday-With-Carnegie-Concerts.html
In this 1990 production of Swan Lake, Yuliya Makhalina danced the role of Odette/Odile whilst Igor Zelensky danced the part of Prince Siegfried. This Kirov production includes the familiar happy ending in the final act where Siegfried fights and ultimately defeats the evil magician von Rothbart and is reunited with Odette at dawn.
As everyone knows, Russia has led world ballet since the time of Marius Petipa and Lev Ivanov in the late tsarist Silver Age. Russia has set the standard, and the Bolshoi and Mariinsky/Kirov have been the leading dance troupes in the world. This was so in the Empire, it was so in the USSR, it’s so now in the transitional period of the Russian Federation, and it shall remain so with the re-emergence of a reunited Eurasian state.
Russian Ballet lived, Russian Ballet lives, and Russian Ballet shall live!
BMD
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