G K Ots (1920-75), People’s Artist of the USSR.
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Let’s get away from the war for a moment… here’s one of the great Russian voices… G K Ots… singing one of the old romansy…
BMD
G K Ots (1920-75), People’s Artist of the USSR.
Let’s get away from the war for a moment… here’s one of the great Russian voices… G K Ots… singing one of the old romansy…
BMD
On Wednesday, a Russian court sentenced a former teacher to compulsory psychiatric treatment, as she drafted a contract with the devil in her own blood, asking him to destroy a beloved pupil’s relationship. Earlier, experts concluded that the ex-teacher, Lyudmila Osipova, was unaware of what she was doing and required psychiatric treatment. The court ruled that she should “undergo forceful medical treatment in a specialised psychiatric ward”. Osipova, a 41-year-old from Volgograd, developed an infatuation with a man in his 20s while working at a computer literacy class several years ago. On Thursday, Komsomolskaya Pravda reported that she tried to reconnect with the judo enthusiast after quitting her job in 2009 by joining a social networking website and posing as a model half her real age. When the man met Osipova in person, immediately, he turned down her overtures, saying that he already had a girlfriend that he intended to marry. The woman tried to break up the relationship by signing a contract with the devil that stipulated exchanging Osipova’s soul for a younger body, 100 million roubles (3.1 million USD. 3.22 million CAD. 3.3 million AUD. 2.3 million Euros. 1.95 million UK Pounds), a Jaguar and a Volkswagen, a helicopter, and some bodyguards. After that scheme failed, Osipova turned to the underworld for help and hired a contractor to help end her prey’s relationship. In a recorded conversation with a police officer posing as a contractor, she told him, “Put her on drugs for a couple of weeks in order to develop an addiction, gang-rape her too, and film it for him to see”. Osipova’s plan was for her target to be beaten so severely as to induce amnesia and then for her to nurse him back to health.
10 October 2013
RIA-Novosti
Editor’s Note:
It takes all kinds to make a world, schemers like Lyonyo and Gan, soulless guns-for-hire like John Boehner and James Carville, single-issue monomaniacs like Ted Cruz and Al Gore, and barmy nutters like this one. Such sorts make us forget that the majority of people are rather decent and sane… but we don’t “get into the paper”, do we? Sigh…
By the way, KP is the equivalent of the New York Post or The Sun. It’s “all the shit that’s fit to print”. It’s a rollicking read, and most of it’s true… there are all kinds of red-top tabs, and KP is one of the better of the lot. Besides, don’t you want to know who’s doing what to whom, you dirty-minded sinner, you?
BMD
Lyubov Kazarnovskaya (1958- ), famous Russian operatic soprano
“Triumph of the Victory”… not a performance by Ms Kazarnovksaya, rather a project conceived by her in honour of Victory Day… music by Verdi with footage of the Second Great Patriotic War… truly, a multi-talented artist.
Another part of the “Triumph of the Victory”
The British magazine Gramophone bestowed its prestigious Critic’s Award on the well-known Russian opera-singer Lyubov Kazarnovskaya for her CD anthology of romansy {“romances”, sentimental Russian love songs of the 19th and early-20th century: editor} by Pyotr Tchaikovsky. For the first time in the history of recording, all 103 romansy of Chaikovsky are performed by a single performer in a single multiple-CD album, regardless of the voice for which they were originally written, from bass to soprano! International experts gave a thumbs-up to this project of Ms Kazarnovskaya, one that she considers a highlight of her career. She considers Chaikovsky one of her favourite composers, and after completing work on the romansy project, she is going to record his opera, Pikovaya Dama (Queen of Spades).
Ms Kazarnovskaya is convinced that “there’s no limit to the possibilities that we can take as singers, as creative personalities”. She stated this at a recent meeting with young musicians in Moscow. This was a unique master-class, during which she not only gave her audience advice on vocalisation and vocal technique, but, she also attempted to give the entire spectrum of the singer’s art, repeatedly stating that an operatic singer is, first of all, an artist, not merely “a package for a voice”.
“Contemporary operatic performance requires much work. We can’t merely rely on the scenery and set poses, and then just sing. When I prepared for the role of Salome in Richard Strauss’ opera at the Teatro Santa Cecilia in Rome, I worked much on my dramatic presentation, giving particular attention to the choreography, because, in one of the episodes, Salome performs a twelve-minute dance”. Lyubov Kazarnovskaya is the first, and, thus far, only, Russian singer to portray this most complex role on the world operatic stage. She works with the leading operatic talents of our time, conductors, directors, and singers. She participates in many musical festivals and has initiated many unusual creative projects. This summer, her schedule is crammed with concerts in Italy and Germany, where she shall perform an original programme comprised of the repertoire of the famous French singer of the 19th century, Pauline García-Viardot, who had a romantic liaison with the famous Russian novelist Ivan Turgenev.
15 July 2008
Voice of Russia World Service
http://www.ruvr.ru/main.php?lng=rus&q=77175&cid=24&p=15.07.2008
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